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south shore commission - freeman

September 5th, 2007

Hailing from Chicago South Shore Commission signed with New York-based Scepter Records, recording for their Wand subsidiary.

Their biggest hit was “Free Man” released in 1975, and they charted twice more in the next year with “We’re On The Right Track” and “Train Called Freedom”. They released one album the self-titled South Shore Commission, this long player was recorded in Philadelphia with Bunny Sigler and also in Hollywood.

Tom Moulton remixed freeman with the original reference disc cut on a 12″ rather than a 7″ - now there has been many a disco dedbate as to whether a 12 inch of this track actually exists. In an interview with Al Kent of www.millliondollardisco.com according to Tom there was never a test pressing, supposedly 10 acetates were given to DJs like David Mancuso, Walter Gibbons and merely a handful of others.

In the same interview Tom reckons Private Stock made the first move to release a 12 inch promo record for DJs with swearin’ to god (see previous post).

This is meant to be the unreleased acetate version, then again who knows, what we do know is it’s a real disco belter…

 
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The Carstairs - It really hurts me girl

July 10th, 2007

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Dj Ian Levine broke this modern soul monster back in the days of Blackpool Mecca.

Tom Moulton on the mix, a mint original copy of this would cost you about the same as a mint SX200 or A GS 160.

 
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Gloria Gaynor - Never Can Say Goodbye

May 6th, 2007

Gloria Gaynor - Never Can Say Goodbye

Never Can Say Goodbye was a 1971 hit for The Jackson 5. Covered by Gloria Gaynor towards the end of 1973, it became a major club hit, despite litttle support from label MGM. The follow-on long player Never Can Say Goodbye established Gloria as a disco artist. Produced by Tom Moulton the first side of this album consisted of three disco songs - Honey Bee, Never Can Say Goodbye and Reach Out, I’ll Be There, with no breaks in between the songs. All three songs were released as singles via radio edits. Never Can Say Goodbye became the first song to top Billboard magazine’s dance chart.

Played here there & everywhere & covered by heaps of folk it is seen as one of the defining recordings of the disco era. This very soulful single edit at about 3 minutes long is now 34 years old and still sounds mighty fine.

 
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